The title of this album, "Ghosts", came to my mind at a quite early stage. I liked it due of the large field of associations it provokes. I started taking notes about topics connected to the term, read about mythologies and collected ideas. I also often write fragmentary texts, short cinematic scenes that I come up with when my head is idling and I have time to kill. One of these texts is included in the artwork of the CD and the vinyl edition and it is an essential part of the Ghosts album; it serves as a window to a bigger drama, and the music offers another view. The text also links the Ghosts album to the Silence album from 2009. Both stories are related, although I don't know exactly yet: how.

I always felt that my Ghosts album needs to end with the track 'Ghosts' and every other decision had to be a consequence of this paradigm. I wanted the album to end with a dark and sad message: get out of my head. You do not exist anymore. However, when playing back the final edits in Basel prior to the mastering, my friend and host Daniel Teige insisted that 'Ghosts' has to be the first track and just grabbed my computer to completely rearrange the album. Blame him on the final order of tracks on this CD. After his intervention everything seemed to make much more sense, the transitions between the emotional states of each track provided new pleasurable surprises - apart from the very end of the album, which just did not work at all anymore. I decided that there are only two possible ways out; either entirely skipping the last track and ending with 'Aligning the Daemon' or coming up with something new in three hours, with nothing but my laptop on a chair, and two cheap hi-fi speakers. The ghosts and spirits of that night liked the idea, and when they told me to record a Macintosh system voice and showed me how to transform these recordings in a parody of a medieval chant, full of devilish minor thirds, I knew it would turn out to be great.